Making Will Smith Genie gave the live-action Aladdin a blockbuster movie star. Even though he’s big and blue, there’s no mistaking Smith in the role. He also appears as a more recognizable human form as Aladdin (Mena Massoud)’s consort. It’s a good thing he got some additional screen time, because Smith said his Genie form isn’t even him.
Smith was at the 2019 press conference for Aladdin. He revealed then that you’re not seeing as much of him on screen as you think you are when you watch the live-action hit.
The Will Smith Genie in ‘Aladdin’ is a total creation
The animated Genie took on some of Robin Williams’ features, and adapted as he did impressions. The live-action Genie looks like Smith in blue, and he also transforms with his magic. However, Smith said it took more than blue paint to create his Genie.
“A lot of people don’t even recognize this, but the Genie is 100% CGI,” Smith said. “People look at it and they think it’s my face blue and it’s my body. The Genie is 100% CGI. There is none of me in the Genie, right? So it’s like the work was so good that they don’t even get credit for it.”
He still played Genie on the set
The on-screen form of Genie may have been a total computer creation, but Smith was still acting during Genie’s scenes. You just don’t see the real Smith in the final cut because they replace him with the CGI Genie.
“What happened that was great for that, for me, I would just be on set,” Smith said. “We would run the scenes and everything and I could do it on set. So I would improv on set because I knew it wouldn’t be necessarily in the movie. Then we would do the first round of the CGI work. And then we could go again and we could work it.”
They revised the Will Smith Genie based on his acting
Creating the Genie entirely in CGI actually helped the animators reflect Smith’s performance even more. Smith said he did some reshoots and they did further animation based on the first round of scenes.
“[Director] Guy [Ritchie] watched the whole movie,” Smith said. “Then I had another chance to go back and we could play with lines and make adjustments, because they were going to create it anyway. So for me, there was tons of improv and we got to the point where Guy was open. Anybody could throw something in and we were throwing it in. It would become a fun thing on set to try to find that number one answer.”
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