WTF Moment of the Day: WWE Stars Finn Balor, Elias Sing ‘Shallow’ in the Ring

The duet WWE fans didn’t know they needed … until it happened! Professional wrestlers Finn Bálor and Elias gave the performance of their lifetimes on Saturday, March 23, when they busted out in song in the middle of a live event.

And it wasn’t just any song — the athlete’s put a spin on “Shallow,” the Oscar-winning ballad from A Star Is Born, originally sung by Lady Gaga and Bradley Cooper. “Tell me something boy….” Bálor, 37, captioned a Twitter video of the performance on Sunday, March 24.

In the clip, Elias, 31, played the guitar and sang the first minute of the song by himself as Bálor paced the ring with a microphone in hand. After fans in the audience began to shout and encourage Bálor to join in, he finally caved and put on a dramatic performance.

Twitter users went wild after the video began to make the rounds on social media, expressing their adoration for the men who didn’t take themselves too seriously while giving the crowd what they wanted. “Lady gaga and bradley cooper did it first but elias and finn balor did it better,” one commenter wrote.

“There’s never been a video more specifically tailored to my interests,” another added. While one WWE fan chimed in, “And I just DIED. How the hell did Elias keep a straight face. I miss all the good shows.”

Despite tagging Gaga, 32, in the Twitter clip, the “Born This Way” songstress has yet to respond to the Irish-born wrestler. Gaga won an Oscar for the song last month, as well as a Golden Globe and BAFTA earlier this year.

Gaga and Cooper, 44, performed a breathtaking version of the tune at the Oscars, sending fans into a frenzy, speculating the pair were secretly in love because of their chemistry, despite the Silver Linings Playbook actor’s relationship with girlfriend Irina Shayk. The 33-year-old model, who is the mother of Cooper’s daughter, Lea, 2, was even in the audience during the Academy Awards performance.

The New York native, for her part, split with ex-fiancé Christian Carino in February. “Gaga has been in such a focus on her career right now and has not even had time to address what has been happening between her and Christian, emotionally,” a source told Us Weekly at the time. “She has been telling those around her, ‘Let’s stay focused.’”

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PledgeMusic Down to a ‘Skeleton Staff,’ Although a Potential Buyer Is in the Wings

PledgeMusic, the direct-to-fan marketplace that has faced serious financial troubles in recent months, is down to a “skeleton staff” and payroll in the U.S. office ceased within the last month, sources close to the situation tell Variety, although a potential buyer is “very interested” in the company and has been in due diligence for several weeks. The identity of the buyer was unclear at press time.

A rep for PledgeMusic declined Variety‘s request for comment.

While the company — a direct-to-fan platform where artists worked directly with their audiences to fund their albums, tours and merchandise, with fans able to purchase everything from custom guitar picks to private concerts — operated successfully for several years, last June Variety broke the news that the company is struggling to pay artists. Its problems have snowballed in recent weeks, with hundreds if not more artists owed thousands of dollars, many in five figures. On Jan. 24, the company issued a statement saying, “It is our expectation that payments will be brought current within the next 90 days,” yet as that deadline approaches, few artists say they have been paid. In February, Variety published a brief overview of what several artists are owed, but that seems to be just the tip of the iceberg.

Judging by conversations and social media posts from affected artists, the situation has not improved in recent weeks, with calls to the company from many artists going unanswered. However, the company’s last post on its website referred artists to its helpdesk to help resolve problems, noting that “Any communication outside of this channel will not be tracked and therefore issues will take longer to get to and be harder to resolve.”

In January, cofounder Benji Rogers, who left the company in 2016, returned on a temporary, unpaid basis in an effort to stabilize the situation. While his return was greeted with relief by many in the artist community, the company advised all artists to suspend their campaigns shortly after his arrival (many already had). Beyond the recommendation to suspend artist campaigns, the company has not commented on its recent challenges beyond the above statement.





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'Vanderpump Rules': Katie Maloney-Schwartz Opens Up About Her Struggle with her Weight

The cast of Vanderpump Rules typically lives a life of glamorous parties, day drinking, and drama. Seriously, the whole show follows them from party to party, vacation to vacation, all while looking like they just stepped out of the pages of a magazine. But, apparently behind the glitz and the expensive getaways, some of the cast has been dealing with real issues and insecurities.

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One such member is Katie Maloney-Schwartz. The star has dealt with weight issues throughout the later seasons of the show. Her weight has been a main focus of this season, in particular, as James Kennedy was fired from SUR after calling her fat.

“Imagine finally finding the courage and strength to finally love yourself enough to stand up for yourself to then be ridiculed and torn down again,” she recently said on her Instagram story. “It took me three years. I was a very unhappy person. I took it out on everyone, including myself. I was unlovable.”

Over the years, the criticism of her body had gotten so severe that the server had stopped fighting it.

“For the last three years I let my body become a topic of conversation,” she continued. “I say ‘let’ because I didn’t have the courage or self love [to] argue it. FOR THREE YEARS. I’m not perfect. I know who I am. But I’m not a weak bitch.”

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But now, she is not taking all of the cruel comments lying down. Hence, why she stood up to Kennedy.

“I am going to continue to grow and remind myself of my own strength,” she said. “If that makes me a mean b—- in your eyes then so f—— be it! I’m remaining true.”

Kennedy wasn’t the first one to call attention to Maloney-Schwartz’s weight on the show.

Previously, Kevin Lee, one of Lisa Vanderpumps’s friends, cmommented on her weight at a party.

“You gained a little bit of weight,” he told her on camera. “You have to work on it.”

That same season, Kennedy told her to “lose some f—ing weight.”

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Maloney-Schwartz’s battle for body positivity

Seeing the destruction that ridiculing people for their weight can have first hand, Maloney-Schwartz has become an advocate for body positivity.

“The media for a long time has been pushing the notion that there is only one “ideal” body or a standard that we all should strive for,” she once told The Lookbook. “Now I’m not offended that models are typically very thin, but whenever there’s a plus-size model (which I really despise that “plus size” is ever mentioned), that she is labeled as ‘brave’ or ‘different.’ In the real world reality, she isn’t different. She represents a broader demographic, in fact. And any time ANYONE models or puts themselves out there, I think they are brave. Not just because they are or aren’t a size 2.”

Getting to this point of loving herself hasn’t been easy, but it was paramount to her happiness.

“My journey of self-discovery and self-love was a rocky road,” she continued. “At times it took everything I had to tune out the noise and negativity. I have always thought of myself as a confident individual. But it ate away at me like a disease. It’s impossible to not let negative comments creep into your psyche.”

Read more: Is it Over for Good? The Sad Reason Lala Kent Broke it Off with Her  Fiance

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Having A Cool Aunt Who’s Still Your Favorite In Your 20s Makes You The Luckiest

If you have a cool aunt, you know that she’s not only like a second mother to you, but a best friend as well. Growing up, her fun and outgoing personality was exactly what you imagined all the awesome adults to be like, and having a cool aunt meant you had someone truly awesome to be your role model. Now that you’re in your 20s, she is so much more than a cool relative to you.

When I was little, I thought my Aunt Sharon was living her #bestlife. She lived on her own, did amazing things like run marathons, and had the cutest dog in the world. Not only did I believe she had the dream lifestyle, but she was also a really nice and genuine person. It was double the greatness to aspire to.

Growing up, the epitome of being a cool aunt was showcased in some of your favorite movies like Practical Magic and TV shows like Sabrina the Teenage Witch. Those aunts were who you wanted to see at family reunions, and luckily, you had one. There are so many different ways for someone to be a "cool aunt," but most of them share these nine qualities that are undeniably the best. These are the qualities that made them role model-worthy as a kid, and now the one person who makes your 20s the best it can be.

1. She Keeps The Secrets You Don’t Want To Tell Your Parents

You may be really close with your parents, but there are still some things they just wouldn’t understand. That’s when you go to your aunt. She’s like a second parent to you, but you also feel chill enough to tell her the secrets you might not want to share with anyone else.

2. You Feel Comfortable Talking To Her About Anything

Maybe your aunt is closer in age to you than any other adult in your family. That makes her feel more like a friend to you, and you feel comfortable talking to her about basically anything. She might even be the one person you go to for dating and relationship advice.

3. You Want To Invite Her To Hang Out With Your Friends

Your aunt is cool enough that you’d never feel weird inviting her to hang out with your squad. She’s like a friend to you, and makes every situation a million times better. With a cool aunt, you never have to do anything alone, because she’s always down and ready to party.

4. She Has The Best Wardrobe You Totally Want To Raid

Your cool aunt is likely the trendiest person in your family. You want to raid her closet and borrow everything she owns. Not only does she have the best wardrobe, but she also has the best makeup collection and accessories. (Let’s be honest: She’s a major reason why you’re crushing it on the ‘Gram in all of your selfies.)

5. She Makes Family Reunions So Much More Fun

Family reunions can sometimes be a struggle. You’re trying to avoid any family drama and pressing questions from distant relatives about your job and relationship status. Luckily, you have your cool aunt to help save the day. She’ll rescue you from the interrogations and make you laugh with just a single look if things get awkward.

6. She’s Up-To-Date On What’s Trending Right Now

Your aunt is in the know. She’s totally up-to-date on everything pop culture-related, and you never have to stop mid-story to explain the latest social media trends. She likely watches some of the same TV shows as you, too.

7. She Gives The Best Gifts

Since your aunt is so cool, she always knows exactly what’s "in." She also gets you and your personal style. Therefore, she’s the best at gift giving, and you can’t wait to open her present on your birthday and every holiday.

8. She’s Always Treated You Like An Adult

Growing up, your aunt always treated you like an equal. Sure, she was still the adult who set examples, but she never treated you like a kid (which you always respected). It gave you confidence at an early age, which you definitely use to this day when navigating the adulting game.

9. She’s Your Favorite Person To Go On Vacations With

Family vacations are always fun, but they’re even better when your aunt is there. She just makes everything more exciting, and you can’t wait to spend quality time with your fave person. She has always been your number one choice for a travel buddy, and who you’d love to go everywhere on your bucket list with.

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The 1st Look At Jennifer Aniston & Reese Witherspoon’s ‘Morning Show’ TV Series Is So Good

Apple dropped a lot of news at their Apple Event on Monday, March 25, and it’s a lot to process. But the most important news is that Apple’s long anticipated television streaming service doesn’t just have original TV shows in the works, it has footage! Apple TV+ will launch this fall with a slate of over 100 new original movies and series coming to our screens, and luckily, Apple decided to give fans a sneak peek at some of them, including our first look at Jennifer Aniston and Reese Witherspoon’s new Apple TV+ comedy The Morning Show.

The Morning Show was announced way back in November of 2017, when it was described as a look into the creatives behind an American morning show. The show’s big appeal, of course, was its two leading ladies. When The Morning Show premieres, it will mark Aniston’s return to television after Friends and Witherspoon’s first TV project since her latest hit Big Little Lies.

The new Apple TV+ trailer shown at the Apple Event gives a brief look at Witherspoon and Aniston in character on the set of their new morning show, which looks eerily similar to the Good Morning America set. Not much is said, other than one line from Witherspoon, “Yeah, I’m ready,” which accurately describes how we’re all feeling right now. It looks like Aniston’s character is hosting the show while Witherspoon’s plays a role behind the scenes.

The show also stars Steve Carell, Gugu Mbatha-Raw, Bel Powley (who also appears in the trailer), and Billy Crudup. Witherspoon and Aniston will also serve as executive producers on the new series, alongside Kerry Ehrin and Mimi Leder, making this a true female-fronted show.

The dynamic duo took the stage at the Apple Event to share more details about The Morning Show, and it truly looks like it will be worth the wait. Witherspoon said that new series will “pull back the curtain on the power dynamics between men and women in the high stakes world of morning news shows.” The show will focus on people both behind and in front of the camera, with Witherspoon promising that her and Aniston’s "aspirational female characters" will be at the center of it all.

“Through the prism of those under-slept, over-adrenalized people behind and in front of the camera, we take an honest look at the complex relationships between women and men in the workplace and we engage in the conversation people are a little too afraid to have unless they’re behind closed doors,” Aniston added.

But as Aniston said, “you can’t have an honest look at complex relationships between men and women with just women.” Carrell also made an appearance at the event, making a hilariously fitting entrance and sarcastically promising to bring “manliness” to the show. "He’s a great listener and relatable and extremely handsome," the actor joked about his character.

The show also marks a reunion for Friends alum Aniston and Witherspoon, who appeared in two episodes as Aniston’s sister, and the first time that they are collaborating creatively. Aniston mentioned their partnership as one of the reasons she decided to join the show. "I’m really excited about it", she said to the crowd, and we couldn’t agree more.

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How My Chronic Illnesses Changed My Quest To Have The "Perfect" Body

I first noticed the spots on a sweltering June night, as the heat seeped through the floorboards of my sublet. In the mirror, I scrutinized the smattering of red bumps crawling across my chest and down my ribcage. I wondered how I would wear a bikini with them. I googled “heat rash,” hugging a bag of frozen peas to my chest.

A few weeks later, when the spots flattened, expanding into dime-sized lesions that then merged into nickel-sized patches, I itched them until they bled and substituted Google image searches in place of professional medical advice. I diagnosed myself with pityriasis rosea because it was a skin disease that offered spontaneous remission; something patience could cure.

My actual diagnosis — guttate psoriasis, a chronic autoimmune disease affecting the skin — would come four months later. By the time I opened the biopsy results, it was October, the same month when, four years earlier, I had been diagnosed with my first autoimmune disease. But this second diagnosis felt different. While I was familiar with the feeling of grieving over my health, with the sense of bewilderment and anger over my body’s revolt, I wasn’t prepared to confront how deeply my appearance and my conception of my worth as a woman were intertwined in my mind.

I had struggled with this before, when, at 17, I was first diagnosed with a chronic autoimmune kidney disorder called Minimal Change Disease (MCD). The result of a protein imbalance circulating throughout my body, MCD disrupts the body’s homeostasis. Internally, this meant that my kidneys were leaking massive amounts of protein. Externally, it meant that I began to swell from the loss, all over my body. One day, I was a high school senior, anticipating prom and graduation. Then, seemingly overnight, I woke up as a kidney patient, my body morphed into something I no longer recognized. I went into remission six weeks after starting medication, but then relapsed seven times within eight months; the worst relapses left deep stretch marks on my legs and thighs, areas where the skin split apart from all the fluid pushing against it.

As a young woman, I had always been conscious of my body — the shape and weight of it, the color and texture of my skin, how much space I took up and how much space I was “allowed” to take up. And as a born perfectionist, I was always searching for methods of “self-improvement” — and I viewed bettering myself physically as crucial to the process. Growing up, I wrote journal entries with lists of “goals” I strove towards: in addition to dream universities and careers, there were bullet points for goal weight and goal height. I came to regard how I presented myself to the world as a marker of my inherent worth. I recognized that beauty was only skin deep, but I also felt people would form opinions on who I was because of what I looked like. Appearing “put together” was my attempt to control these perceptions. My diagnosis revoked my ability to do that.

During my treatment for MCD, I was ashamed of my vanity, but I couldn’t stop focusing on the ways my body was shifting. The winter months of that year were just a blur of relapses and doctors; my tumultuous disease progression meant I had become an “interesting” and “unique” case. Yet what I remember most keenly from that period is my loneliness. The longer I was sick, the less I heard from my friends, and I began to wonder if my changing appearance was the reason why. I was terrified I wouldn’t recover, but ruminating over my health was overwhelming and abstract. Agonizing over how people would see me felt much easier; it felt familiar.

As I shuffled from specialist to specialist, I still worried over my how my jeans no longer fit across my abnormally bloated thighs, or how much weight I would gain on the medication they put me on. When I finally returned to school, I worried about how people would react to the lingering effects of my steroid therapy. My face had developed an extra layer of fat colloquially known as “moon face,” and I flushed at inopportune times, a neon sign of misery. During my appointments, my care team and I discussed medication and lifestyle changes, but we never covered the emotional effects of watching my body transform into something I viewed as grotesque.

Other people noticed the changes too. I ran into one of my mother’s friends while out grocery shopping; after exchanging pleasantries, she tilted her head and observed, “You’ve gained weight, haven’t you?” I didn’t know how to answer: telling her I was sick felt too vulnerable, but not telling her felt like admitting I had “let myself go.” I blinked at her instead.

I became focused on my weight, partly because it exemplified my larger struggles over losing control of my body. Prior to my diagnosis, I had been watchful about what I ate, fastidiously tracking my meals and dutifully exercising to “burn off” extra calories. Afterwards, as I dealt with the swelling caused by the disease and medication that virtually guaranteed weight gain, I viewed my disease as an affront to all the hard work I had put in. The loss of control that accompanied MCD seemed like a targeted moral lesson on vanity, and my feelings of helplessness and anger were tinged by deep-seated shame.

I know that I have — or should have — more important priorities, like staying healthy and alive. But the disconcerting part about having chronic illness, in my experience, is that it compounds, rather than negates, any underlying insecurities. I find it easy to “get my priorities” straight in a time of crisis (a biopsy result, a urinalysis). But with a chronic illness, these critical moments are spread out, and the illusory calm in between ushered up familiar concerns for me.

When I got the psoriasis diagnosis, I was prepared to face the uncertainty of its prognosis, but I had forgotten how deeply affecting the physical element of disease is. Psoriasis is a “common” autoimmune disease, especially compared to MCD, so there were many more resources available to me as a psoriatic patient than there had been for my kidney disorder. However, even though I wasn’t physically limited the way I had been with Minimal Change Disease, my appearance was transformed in a way that felt familiar to me. When my fingers strayed to my lesions, I felt fear and revulsion — how would anyone see me if my largest organ was an advertisement of my body’s betrayal?

Objectively speaking, my psoriasis wasn’t bad; it spared my face and was easily hidden underneath winter clothing. "These spots usually don’t even scar,” my dermatologist told me cheerfully. Another dermatologist explained that the lesions were “just symptoms, a physical manifestation of my body reacting to something internal,” but that almost felt worse.

After my Minimal Change Disease went into remission, being a patient had become a central part of my identity. I even became a patient advocate, and I took pride in speaking with and encouraging other patients. Yet, when this second diagnosis came, my hypocrisy surfaced; I had counseled other patients my age about de-stigmatizing disease, but a part of me believed I must be broken in some way. I had always viewed maintaining a certain standard of beauty as necessary to both feeling and being perceived as feminine, so I worried people would see my skin and draw the same conclusion I held: I had failed to protect my femininity, and now my body was announcing that failure through my skin. This accusation haunted me, but it also provided a perverse sense of reassurance and incentive: if I could just look traditionally feminine again, then I would have to be healthy, wouldn’t I?

After my Minimal Change Disease went into remission, I thought being as open as possible about my body would be a way in which I could reclaim control. But the corresponding responses always carried a mixture of awkwardness and uncertainty. I told a man I had met on Tinder on about my MCD on our second date, while we were on a hike. “That sounds really tough,” he said, before leaping across a stone and hurrying ahead of me. Another time, I mentioned it while lying in bed. I was curled against a guy I was casually seeing, my head resting on his shoulder; he waited so long to respond I had to lean up to make sure he hadn’t fallen asleep. He was staring at the ceiling.

I don’t want to perpetrate the perception that patients are somehow less worthy of love. But that’s often the impression that I get from our culture through my experience with chronic illness, and current research only fuels my concerns; a 2009 study published in Cancer found that women with serious medical illnesses were far more likely to be abandoned by their partners after their diagnosis than male patients. Well-meaning relatives warn me about disclosing my illnesses to potential romantic partners, the implication being: who would marry a sick girl? When faced with the choice of taking a medication, one of the first concerns is always fertility, the implication being: what is your worth if you can’t bear children?

Perhaps the idea is to conceal these “secrets” until I get to know someone better, until I think he won’t leave; yet, to not disclose this portion of my life, to hide it or gloss over its impact on me, would feel disingenuous. I know, I’ve done it many times before.

This time around, instead of being transparent about my diagnosis, I became vague instead. “I was sick for awhile,” I said to a medical student I was seeing. He was curious why I had missed so much school. “Can you talk about your illness?” he asked, and then quickly amended with, “We don’t have to, if you don’t want to.” I was touched by his compassion, but when things fizzled between us, I wondered if my health was a dealbreaker.

When my renal disease went into remission, it became largely an invisible disease, a narrative I could seemingly control. But when I developed psoriasis, its inherent visibility meant that if I were ever intimate with someone, they could read the story written on my skin.

I know that this goes deeper than just vanity. I’m also grappling with the identities and roles I’ve taken on throughout my life, some of them voluntary and some of them not. It is acknowledging that I will perhaps always feel I have failed some of those identities. It is recognizing that, for me, being a patient is as established as being a brunette or being Asian American, a trait woven into the structure of my DNA. If I stopped focusing on it as much, I could possibly see it has become just another type of “normal” in my life.

In addition to envying other girls who are thinner, taller, or more conventionally “attractive,” I also sometimes look at my friends and wish, badly, that I could be healthy like them — the permanent kind of healthy. Without that sense of security, my body is always on the forefront of my mind. I wonder if focusing on other people’s perceptions of me, worrying over a partner’s reaction, is really just a way to avoid confronting how I view myself. I can change my diet, curl my hair, and slather on concealer, but I can’t control if — or when — I’ll relapse; I can’t promise my health won’t preclude me from accomplishing those girlhood goals I planned for.

I like to plan, to predict, to exert order; this uncertainty hanging across my life terrifies me, and it also forces me to really look at the topography of my body — all its divots, divergences, and dimples. If I go a little deeper, pivot my focus from its outward display to its inside — to the fact that my heart continues to beat, or my lungs continue to fill with air, or that I get to do what I love, to write — I glimpse how hard this damaged form works to keep me alive. In those moments, when I get it right, I don’t feel like such a failure.

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Killing Eve Writer Emerald Fennell Says We're Going to "Ride Out the Horror" in Season 2

Emerald Fennell sat patiently waiting for our interview to start in a posh hotel restaurant, the Southern California sun making her long blonde hair gleam, and the periwinkle in her Brøgger dress pop. A closer look revealed the Dorothy Gale-red foils on her sharp nails and the Olympia Le-Tan clutch with the logo from the Alfred Hitchcock movie Pyscho by her side. Such details suggest that this lady appreciates the art of subtle danger.

Judging solely on clothing choices, it’s easy to conclude that Fennell, 33, may be the perfect candidate to take over from her friend Phoebe Waller-Bridge to serve as the head writer for the second season of the slay-or-be-slain hit series Killing Eve. Then there’s the résumé that backs her up: Fennell is an actress and novelist best known to TV audiences for appearing in the PBS period drama Call the Midwife; YA readers might recognize her name from her young adult fantasy series Shiverton Hall. It’s clear Fennell understands the macabre humor and tense obsession that worked for the first season of the series about Sandra Oh’s eponymous MI5 agent and her infatuation with Jodie Comer’s exotic and globe-trotting hired assassin known as Villanelle.

“What I’m most interested in is how women win in a world where the deck is stacked against them,” Fennell says. “I think Eve and Villanelle were lucky in [Season] 1. It’s what happens when that power is diminished and you have to make something new …”

The second season does see two very changed (anti)heroines. It picks up almost immediately after last season’s finale that saw Eve plunge a knife into Villanelle’s gut after they cuddled up in bed – a move that floored audiences and tickled and intrigued Fennell, because, she says, “if you look at [this story as a] romance or love affair, that was the moment where something has bonded them forever.”

Fennell says she wanted to have the new season begin so quickly after the first because she wanted to “ride out the horror.” She says that “for me, the worst thing, surely, about stabbing someone is getting out with blood on your hands … I’ve never seen Jason Bourne or James Bond or any of those characters doing the kind of stuff that would actually freak you out. [There’s] this real feeling of an ordinary woman who has done something unbelievably stupid and dangerous and then needs to deal with it.”

Eve’s first move after she shakily leaves Villanelle’s Parisian flat? Head to a candy store where she stares glassy-eyed and robotically scoops random pieces of confectionary into a bag as a child stares at her in awe.

The scene came from a personal place. Fennell explains that “whenever I was riding a terrible hangover back in the day, the first port of call was I had to get my hands on some candy as soon as possible,” adding with an interesting choice of words that “If I had to kill a man, I would get it.” In this case, she says Eve is experiencing “the worst hangover of all time: it’s the morning and you wake and you realized you’ve cheated on your husband and your car’s smashed up and, yeah, there’s blood on the bonnet. And you’re trying to work out how you’re going to get home, both psychologically and physically.”

RELATED: Sandra Oh Says Jobs Are Like Dating — and She’s Moving On

It’s also a nod to the first time we saw Villanelle, in the series premiere, riding high on confidence and adrenaline after a kill, with a dab of blood on her watch. She enjoys some gelato, and then enjoys knocking a little girl’s dish into her lap. Pure cruelty.

This season, she’s no longer as cocky. As Eve wonders what’s to become of her, a book-smart agent who specializes in serial killers but who now has experienced the taste of blood, we also see a Villanelle suddenly grappling with her own mortality – a new sensation for someone who has both escaped a Russian prison and taken a good deal of enjoyment out of watching her victims die. While the first season arguably toyed with the societal misconceptions of female relationships, the second more closely examines these power struggles.

“I think the feminist statement maybe in [Season] 2 is if you are a woman and you are vulnerable, how do you exact power?” Fennell says. “They are both starting in very diminished circumstances and it’s how you get yourself back to where you need to be and how you survive. I think it’s about how women survive, and what you lose and gain, when you have to survive something.”

The way we underestimate or pigeon-hole women is also impacting another aspect of Fennell’s work. She’ll be playing Camilla Parker Bowles, the Duchess of Cornwall, on the Crown in the third season of Netflix’s regal drama. This season will focus on her character’s relationship with Prince Charles, which started 10 years before he’d meet his eventual first wife, Diana Spencer.

Fennell says she didn’t know much about her character before she was cast, but stresses that the show will serve as yet another reminder that “all women are underestimated.” Now, she adds, “we’re having a chance in television to look at women’s lives and show that they can be rich and interesting and different.”

Killing Eve returns to BBC America and AMC on April 7 at 8 p.m. The Crown Season 3 release date is TBA later in 2019.

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This Anti-Cellulite Dry Brush Is a Celeb Secret for A-List Skin

Ever tried dry brushing before? Or maybe we should start with a simpler question. Ever heard of dry brushing before? This technique may be ages old, but it’s brand new to many of us. We’re not talking about hairbrushes, here. Dry brushing is all about the body! Sound weird? Maybe, but as a celebrity-loved secret in skincare, it’s clearly worth our attention. We picked out a top-notch dry brush to get us started, and it’s going to leave us wondering how we ever went without it!

The Dr. Barbara Sturm Anti-Cellulite Body Brush Opens a New Window. may be the answer to all of our insecurities. Celebrities can’t get enough of dry brushing and how it’s impacted their skin. Gwyneth Paltrow Opens a New Window. has said that Opens a New Window. she dry brushes every night before showering, while Victoria’s Secret model Josephine Skriver Opens a New Window. put it on her list as a must Opens a New Window. for runway prep, calling herself a “big fan” of the technique. Even celebrity facialist Cynthia Franco, who has worked with Amber Heard Opens a New Window. and Salma Hayek Opens a New Window. , emphasized to Us Opens a New Window. that dry brushing can “do wonders” for the skin, noting how skincare isn’t only about the face!

See it: Get the Dr. Barbara Sturm Anti-Cellulite Body Brush Opens a New Window. for just $38 Opens a New Window. at Violet Grey! Also available at Revolve Opens a New Window. !

This body brush is made with natural bristles, no plastic! It also has a strong wooden base for us to hold while brushing our way to better skin. It claims to promote “smooth, tight skin” in areas such as our thighs, abdomen, arms and buttocks. Cancel that dreaded dermatologist or esthetician appointment, because this brush may be all we need!

Dry brushing is known for having many benefits. Using this technique may remove our dead skin, exfoliating it away, encourage cell renewal, reduce painful and swollen ingrown hairs and help our body detoxify without any sketchy pills or painful processes. We’re keeping it natural and keeping our body happy.

Dry brushing is an extremely popular way to target unwanted cellulite. This goes for removal and prevention! By dry brushing, we may increase blood circulation and lymph flow in the tissue, upping its metabolism so our skin can quickly smooth out. Dr. Barbara Sturm claims that dry brushing will also “enable the removal of waste products” from our skin, softening the appearance of dents!

This is a dry brush, but, surprise! We can use it wet, too Opens a New Window. ! Dry brushing may have a more intense effect than wet brushing, so if we want to start off slowly, or if we don’t have much time, we can use this brush in the shower. While wet, the brushing process may be gentler on our skin. Build up to dry brushing, eventually doing it before showering, before we step into the flowing water and wash all of our troubles down the drain.

See it: Get the Dr. Barbara Sturm Anti-Cellulite Body Brush Opens a New Window. for just $38 Opens a New Window. at Violet Grey! Also available at Revolve Opens a New Window. !

So how exactly does dry brushing work? We’ll make sure everyone has the proper techniques to get started. For any area of our body we’re targeting, the first step is to start farthest away from the heart and brush inward, toward the center of our body. Brush lightly and use even strokes. No need to press too hard!

If we’re concentrating on our legs and buttocks, we should start at our foot, as it’s farthest from the heart. Work up toward the lower thigh, starting with the right leg, eventually brushing the buttock too. Switch to the left side and repeat!

To concentrate on the arms, it’s a similar process as the legs, but we start at our hands instead of our feet. Brush inward, moving from hand, to forearm, to upper arm. Repeat on the left side now!

For stomach brushing, technique is very important. We must follow the course of the colon “to rule out any blockage.” Begin brushing at the bottom right side of the abdomen, brushing upwards with small strokes up toward the ribcage. Then, brush horizontally to the left and continue down, always brushing in a clockwise direction.

So, dry brushing seems pretty intriguing now, right? We’re throwing away our useless smoothing creams and getting the job done ourselves instead with this brush. We think this calls for some swimsuit shopping!

See it: Get the Dr. Barbara Sturm Anti-Cellulite Body Brush Opens a New Window. for just $38 Opens a New Window. at Violet Grey! Also available at Revolve Opens a New Window. !

Looking for something else? Check out more from Dr. Barbara Sturm here for dr barbara sturm Opens a New Window. and more body care products available at Violet Grey here for body care Opens a New Window. !

Check out more of our picks and deals here for with us/ Opens a New Window. !

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The Shop With Us team may receive products free of charge from manufacturers to test. In addition, Us Weekly receives compensation from the manufacturer of the products we write about when you click on a link and then purchase the product featured in an article. This does not drive our decision as to whether or not a product or service is featured or recommended. Shop With Us operates independently from advertising sales team. We welcome your feedback at [email protected] Opens a New Window. . Happy shopping!

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Horror of blinded dog found collapsed in woods – was he bludgeoned and left to die?

The tragic Akita was spotted staggering among trees before his frail body finally gave out. When the emaciated and matted pet was finally rescued, he was also suffering so much eye discomfort that he had been scratching his face. As vets continue to investigate the Akita’s pitiful condition, the RSPCA is trying to determine whether he had wandered into the woods after being hit by a car or had been deliberately bludgeoned and abandoned in agony.

RSPCA investigators were alerted when the fawn-coated dog, aged around seven, was found blinded in both eyes in an area of woodland off Kent Street, Wigan, last week.

A member of the public had spotted the Akita – a large, muscular breed which originates from the mountainous regions of Japan – and alerted the animal welfare charity.

RSPCA Inspector Helen Smith described the appalling condition of the male dog – and suspicions that he may have been the victim of callous cruelty.

She said: “We were called by a member of the public who’d found a dog collapsed in the woods. They said he’d been staggering around but was now laid in the same spot and was extremely underweight.

“The poor dog had pus coming from his eyes and was scratching at his face so was clearly in some discomfort.”

Inspector Smith continued: He was very skinny. You could see his ribs. His breathing was also shallow and his coat was matted.

“The caller reported that he kept trying to stand up but would collapse back onto the ground.”

Besides not being neutered, the dog had also not been fitted with a microchip as required by law. 

Inspector Smith rushed the dog to the Greater Manchester Animal Hospital where he has been named Peter the Akita. After providing emergency treatment, vets are now determining why the animal was in such an awful state through a series of tests and x-rays.

Inspector Smith added: “He’s very thin and has sores all over his body. He was dehydrated and lethargic when he first arrived.

“Initially, we believe he was blinded in both eyes and couldn’t open his eyes due to a nasty infection. But vets believe he may have had a blunt trauma to the head – either the result of a deliberate attack or a road traffic collision – which is causing the swelling to his eyes.

“He may have been hit by a car before running off into the woods or he may have been abandoned there so I’m really keen to track down his owner and find out more about him.”

Anyone with information about Peter is urged to call the RSPCA’s confidential appeal line on 0300 123 8018.

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Jordan Peele's Us Had the Best Opening For an Original Horror Movie EVER

Jordan Peele has once again struck box-office gold by scaring the bejesus out of people. Two years after his Oscar-winning debut Get Out became a box-office smash, his horrifying follow-up Us has shattered expectations and debuted with $70.3 million in ticket sales, according to estimates from Sunday, March 24.

Us officially came out on Friday, March 22 (though late showings began the evening before, on March 21), and opened with $33.4 million domestically before grossing $255.4 million on a $4.5 million budget. According to HuffPost, Us cost $20 million to make, which means that not only did the movie successfully turn audiences off to their own reflections for life, but that the film has already become huge hit for Peele and Universal Pictures. So, all those creepy images and terrifying messages were worth it!

In addition to making a whole lot of money, it’s also broken a few records in horror movie history. Us has the biggest opening ever for an original horror movie. On top of that, it’s clinched the record for the biggest opening for an original R-rated film, and for a live-action original film since 2009’s Avatar (which opened with $77 million). It’s also the third-largest opening for a horror film of all time, coming in after 2017’s It (which opened to $123.4 million) and 2018’s Halloween sequel (which opened with $76.2 million). That is definitely not bad company for Peele to keep. Just don’t feel bad if you needed to see the film a few times to understand that haunting final twist — you helped make movie history!

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